Ludhiana Jail's 'Voice Behind Bars' Transforms Inmate Lives

In Panjab’s Ludhiana Central Jail, a creative program known as Voice Behind Bars is offering inmates a path to redemption via music. Led by the Welba Foundation (Welcome Back Foundation), the initiative launched two songs on YouTube by Mohit Arora, a 22-year-old detainee awaiting trial for smuggling pills. Titled Sorry Mummy Ji (Sorry Mother) and Likhna na Chhadi (Don’t Stop Writing), these heartfelt pieces are copyrighted under his name, ensuring any revenue benefits his family. Sound engineer Saransh Bhutani spent months training participants, with officials noting drops in aggression and rises in self-esteem. Ten inmates now form a music group, with more songs forthcoming. Welba Foundation director Dr Parikshit Bansal asserts that stigma often traps ex-offenders in cycles of crime, making supportive platforms crucial. Jail superintendent Shivraj Singh Nandgarh praised this venture, citing music as a powerful tool for transformation. He stressed that positive, skill-building programs can lower recidivism rates and help inmates avoid crime upon release. Meanwhile, sociologist Paramjit Singh Judge’s new book, Culture and Popular Music in Punjab, examines how Panjabi music transcends simple entertainment, tapping into deeper cultural narratives. Noting global stars like Diljit Dosanjh, AP Dhillon, and Karan Aujla, Judge considers the interplay of violence, heroism, and diaspora identity. Some songs glorify gangsterism, occasionally inciting threats, or pouring out heartbreak through romantic verses. Yet the music also speaks to alienation and resilience. Judge argues that three motifs—Saint, Warrior, and Lover—define the rebellious Panjabi spirit. This includes the legacy of Sidhu Moosewala, whose music addressed subaltern pride but also courted threats. Judge cites Gurdas Maan’s diplomatic misstep—calling Hindi language his masi (aunt)—to illustrate how cultural sensitivities run high. Drawing on extensive research, the book delves into the tradition of Dhadis (balladeers), Mirasis (folk singers), and evolving lyrical forms that link past folklore with present-day star power.